Arts and Cultures

 

A Great Charge: How Native Dance Changed American Ballet

With his friend, Miss Erna Fergusson, Shawn drove for hours to the Pueblo, “white adobe houses around an open square, blue New Mexico sky, bluer than the Mediterranean at its best, and the inevitably right masses of color made by the Indians’ red blankets, coal black, straight hair, silver and turquoise jewelry.” Shawn watched all day, as some 60 dancers repeated their 40-minute pattern with a 20-minute rest period.