Issues Background
Vol. 26 No. 3
Fall 2025
American Indian Fall 2025 featuring an image of a green glass sculpture on a silver pedestal.

On the Cover

This depiction of the Salish creation story of Raven stealing the sun entitled “Bringing the Light” by Ed Archie NoiseCat (Salish/Shuswap) is just one of the remarkable sculptures and vessels on display in the “Clearly Indigenous: Native Visions in Glass” exhibition at the National Museum of the American Indian in New York.

Articles

A woven basket filled with cranberries
Learn the Wampanoag peoples’ view of what really happened at the “first Thanksgiving.”
A gloved hand gently removes crystals from delicate artifacts.
NMAI staff help solve the mystery of the fuzzy display cases plaguing museums.
People look at the art pieces at the Native Art Market.
Indigenous artists have long had their concepts replicated without permission, but now digital tools can recreate and alter art. Can a robot actually help protect their work?
Four soldiers, one playing a bugle, stand in line
The University of Arkansas at Little Rock’s Sequoyah National Research Center is endeavoring to preserve and share the histories of 12,000 Native veterans who served in World War I.
Glass Sculpture of a Turtle

Five decades later, these spectacular works and those of other Indigenous artists are being showcased in studios and museums around the world, including in the exhibition “Clearly Indigenous: Native Visions Reimagined in Glass.” Originating at the Museum of Indian Arts and Culture in Santa Fe, New Mexico, the exhibition will be on display at the National Museum of the American Indian in New Yor

Dressing screen featuring plant life and blue-green deer painted by Eva Miradel
This dressing screen is a rare sample of Taos Pueblo painter and cartoonist Eva Mirabal’s unique style.
Melanie Smokey tosses pinon nuts in a woven basket
See how the Western Shoshone people harvest and cook pine nuts.