Summer 2026

Issues Background
Vol. 27 No. 2
Summer 2026
American Indian Winter 2025/Spring 2026 featuring an American flag made of  seed beads used to form state abbreviations (red dots indicate the original 13 colonies) symbolizing stars, the words of the Pledge of Allegiance in opaque blue and the names of 456 tribal nations in the red and white stripes.

On the Cover

On this U.S. flag are more than 130,000 seed beads used to form state abbreviations (red dots indicate the original 13 colonies) symbolizing stars, the words of the Pledge of Allegiance in opaque blue and the names of 456 tribal nations in the red and white stripes.

Behind the cover is a detail of a Lakota dress created with hide, glass beads and sinew circa 1900–1910 that is in the NMAI collection. 2/5800

Articles

Yana Ross lights a prescribed fire with a red tank in a field of dry grass.
Tribal sovereignty is an inherent right. Yet many Native nations struggle to protect it.
A bronze sculpture depicting Oneida Chief Shenendoah, General George Washington, and Polly Cooper standing under a towering tree amongst fruits and animals.
Indigenous women were central to strategy, diplomacy and their people’s survival during the American Revolution, yet their stories have been often overlooked.
The painting The Great Treaty of Canandaigua by Robert Griffing depicting leaders speaking to a seated crowd gathered in a town square.
The creation of the United States is often thought of as the outcome of a dispute between England and its colonies, but Native peoples were also integral to this story.
Actors on stage depict the Trail of Tears: a large group of Cherokee peoples are forcefully led by two soldiers.
Indigenous peoples have rebuilt their nations and cultures after some of the most devastating conflicts fought on their homelands.
Clay scupltures Mountain Bird and Moon Woman and displayed in front of the NMAI amongst lush greenery.
Nora Naranjo Morse’s unique vision gives art a life of its own. Her family of clay sculptures in the National Museum of the American Indian’s landscape evoke the homes and vessels of her Kha’p’o Owingeh (Santa Clara Pueblo) people and are ever evolving, resculpted by nature.
Two dresses stand back to back on mannequins: the dress on the left depicts American flags and stripes made with tanned hide. The dress on the right is constructed with blue fabric and ordained with metallic cones, military patches, and sequins.
Two dresses created a century apart showcase powerful symbols of the United States and those who have served this country.
Emma Alcazar sews a red, white, and blue quilt at a table in her sunny, art-filled home.
Learn how quilts are icons of American cultures and beautiful works of art and how you can join NMAI's Quilt Along.